THREE MINUTES [stand up comedy BLOGRMAGE: DAY 11]
On Monday, I'm signing up for the open mike at the Acme Comedy Co (one of the top 5 comedy clubs in America) and I don't feel prepared. Newcomers only get three minute sets and depending on how you do with performing and etiquette, you can perform again for five minutes the following week.
I'm primarily nervous because bombing the set could hurt my chances of performing again in this great environment. Nonetheless, I must try, despite potential failure.
I'm also nervous because I really want to be good at this.
Today I went to a coffee shop, wrote and practiced my jokes on my girlfriend. It's crazy how eliminating a word here or there and rephrasing something can turn a bad joke into a good one. One liners are fun to write, but are hard to think of. I kind of just wait for something to pop in my mind, and then I write it down. Writing stories is a lot harder. For some reason, my stories have been my weakness in comedy. This is surprising because it's my strength in real life.
To keep me thinking, I could use some help.
Please comment with half sentences and I'll finish them.
For example, a comment could look like, "The other day I walked into a grocery store and..." or something crazy. And I'll try to finish it.
-Pradeepan
JOKES AND SUSHI [stand up comedy BLOGRMAGE: DAY 10]
This environment felt especially natural after the sterile couch performances from last week. A lot of my one liners went over really well--not all of them, though. There were a few times when I naturally told a story and everybody laughed and said they liked that joke. The thing is, I wasn't trying to tell a joke, it was not preemptive humor, and it went over well. Then I'd try to tell the joke again to another person and it'd become all sterile. Must bridge the natural to stage humor gap!
Hanging out with groups is great for gathering material for two reasons.
1. Conversations and jokes naturally happen
2. It makes everyone paranoid (I loved writing in my notebook whenever my cousins would speak and then make eye contact)
Today, I watched the dvd Zach Galifianakis: Live from the Purple Onion.
It's the most unique comedy dvd I've seen. It felt more like a documentary than a stand up set. His routine is highly abstract, and while it is entertaining, it's not my favorite. I respect the genius of it and give him mad credibility, but I wouldn't want to watch the dvd again. Maybe a few certain parts, but I think part of the appeal of his persona is not knowing what to expect.
Peace.
Pradeepan
WRITING AND WRITING [stand up comedy BLOGRMAGE: DAY 10]
TOOK DOWN THE VIDEO [stand up comedy BLOGRMAGE: DAY 9]
Today, I watched a Bryan Regan DVD called, "The Epitome of Hyperbole." I love his story telling using daily observations. Most of the day was spent on music, so after the DVD I didn't focus on comedy as much as I would have liked to.
Here's a crazy video of my roommate dancing to a song I quickly put together on garageband.
AZIZ ANSARI--MY STAND UP ROLE MODEL [stand up comedy BLOGRMAGE: DAY 8]
For my challenge day, I spent way too much time watching stand up comedians. In fact, I have a role model and his name Aziz Ansari. He's actually Tamil, just like I am.
He's gained a lot of success in movies, stand up and shows like Parks and Recreation. He's only 28. I am 25. Maybe If I follow this stand up comedy challenge to 28 I'll find success comparable to his, though I'm only looking at the 30 days for now.
One thing, in particular, that I like about him is that he's not dependent on "cultural jokes." The brown culture doesn't have to be the brunt of his jokes in order for him to be funny--not that I'm against that. I like that a brown comedian isn't pigeon holed into doing cultural comedy.
Another thing that I like about him is that his style reminds me of my communication when I'm not on stage. His facial expressions, intensity, story exaggeration and body language incorporate some of the things I do naturally. I haven't figured out how to translate my stories into great material and presentation like his, but I feel that his stand up is a key for me to understand mine.
So, I took one of my favorite clips of his, and transcribed it (I put it below his video). This took me a very long time (props to those secretaries in court cases that short hand everything). I'm looking through his material to find patterns or skeletons for a good routine. In no way am I trying to steal his material. I just need to learn some generic chords before I can write my own songs on this stand up comedy guitar.
-Pradeepan
MY TRANSCRIPTION (0:17-5:08) *not grammatically correct
WATCHED FIRST OPEN MIKE [stand up comedy BLOGRMAGE: DAY 7]
Feeling more confident after attending an open mike night for the first time. I went back to the ACME COMEDY CO (one of the top 5 comedy clubs in America) and watched more than 20 amateur comedians.
This BLOGRIMAGE opened my eyes to a whole sub culture that I am very familiar with. Though I'm not sure what other venues are like, this club is very inviting. A few comedians bombed sets and the audience didn't heckle or insult the act. Actually, the audience was very forgiving and let the people try until some of the jokes came through--the audience wanted to laugh.
Not everyone was very funny. You can easily tell the polished people from the rookies. Stuttering over words, forgetting lines, making horrible jokes are all indicators of bad comedians. This night also help me to indicate something.
I can do this.
Next week, I'm signing up for the Monday night open mike. Newbies only get 3 minutes to perform and may not get stage time at all. Either way, I'm going to have material ready to go. Even if I suck, I feel like this can be a good experience. If I do my homework, practice and get some local feedback, there's no reason I should bomb the set.
Some of my observations from the night:
-Be confident
-One liners are great for building momentum or changing subjects
-Jokes need to be concise
-When the audience doesn't relate or understand, the humor is lost
-Jokes don't have to be in order. Changing subjects rapidly works
-Start and end strong. The middle can be paced a little more slow
-Body language really emphasizes
-Don't be annoying
-Build on laughter. Don't wait for the crowd to stop laughing
-Forgetting a line isn't the end of a set. Move on
-Some people look like they are going to be funny
Hope you enjoy the video above. Do you think she was one of the funny or unfunny comedians?
-Pradeepan

